TASCAM Sonicview 16XP

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TASCAM Sonicview 16XP 16-Channel Digital Mixing Console and Multitrack Recorder

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TASCAM SONICVIEW 16XP Overview

Introducing TASCAM Sonicview 16XP

TASCAM has a long history of high-quality digital mixers, culminating with the legendary DM-4800, a workhorse mixer that set a new standard. With TASCAM Sonicview, TASCAM has created an entirely new line of digital recording and mixing consoles that incorporate the latest technology and make it easy to see and control all of the parameters you want, when you want, with completely customizable touch screens and user-definable buttons, along with motorized faders and intuitive control software.

TASCAM Sonicview recording mixing consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit/96 kHz multi-channel USB audio interface, built-in multi-track SD recording*, and plenty of I/O. No-compromise audio quality, including 54-bit float-point FPGA mixing, combines with ample signal processing, an expansion slot for additional connectivity, and wireless remote control to make TASCAM Sonicview recording mixers a next-generation choice for touring, installed sound, recording studios, and broadcasting.

Intuitive Operation at Your Fingertips
The Sonicview 16XP offers motorized channel faders in two banks of eight, plus a motorized stereo fader for the main bus. Above each bank of channel faders is a color touch panel that allows you to view entire mixer channels or get down to details, controlling each parameter with your fingertip.


The Amazing VIEW
Truly the next generation in mixer user interfaces, the powerful intuitive TASCAM Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure the Sonicview 16XP’s two touchscreens. 

Thanks to the VIEW user interface, there are three different ways to view your settings, and each touch screen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix on screen 2.

  • To view the status of any eight adjacent channels at a glance, as you would see on vertical channel strips with an analog mixer, choose Channel Strip View.

  • In Module View, you can monitor and control any two sets of parameters for one single channel, including the compressor, graphic EQ, effects send, and more.
  • Individual View is the ultimate in customized displays. View any functions for any channel, group of channels, and more—all on different screens, simultaneously. For instance, you could simultaneously monitor the output bus meter on screen 1, and monitor levels on important input channels on screen 2.


High-End Audio Quality
Sonicview delivers the finest audio performance in its class, thanks to a 54-bit float-point FPGA mixing engine; continuous, high-definition 32-bit / 96 kHz sampling; and 32-bit analog-to-digital converters. The mixing engine's float-point processing makes it possible to flexibly change levels without compromising resolution and ensures ultralow latency even in analog-to-analog connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems.


Input Channels and Processing
The Sonicview 16XP offers 8 channels with XLR mic/line inputs and another 8 channels with both XLR mic inputs and balanced TRS line inputs. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback mic.


Channel Control and Processing
There’s much more to Sonicview than meets the eye. Internally, Sonicview mixers have a generous 40 mono channels and 2 stereo channels so you can fly in backing tracks to make a small praise band sound huge, accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. Programmable layer keys select which custom combination of channels and output buses are controlled by the motorized faders. 

Each input channel can use any or all of 11 processing functions, which can be independently set:

  • Delay (Input/Pre-fader)

  • Phase

  • Digital Trim

  • High-pass Filter

  • Gate/Expander/De-Esser

  • 4-band Parametric EQ

  • Compressor/Ducker

  • Solo

  • Mix 1-22 Send/Pan (Pre/Post)

  • FX 1-4 Send/Pan (Pre/Post)

  • Fader/Pan/Mute to L/R


Top-of-the-Line Class 1 HDIA Mic Preamps

  • Each Sonicview microphone input feeds a TASCAM Class 1 HDIA (High Definition Instrumentation Architecture) preamp—the finest mic preamp TASCAM has ever made. Thanks to an instrumentation amplifier with extremely good noise characteristics in the first stage, Class 1 HDIA microphone preamps exhibit excellent EIN, signal-to-noise ratio, distortion ratio, and frequency response. Sonicview ultradefinition mic preamps will pick up the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The mic inputs can accept up to +32 dBu signals, providing plenty of headroom for sudden level increases.
  • The combination of Class 1 HDIA preamps, 32-bit / 96 kHz ADCs, and their 54-bit FPGA mixing engine is impressive; but they didn’t stop there—TASCAM conducted extensive internal and external evaluations to tune Sonicview mixers for optimal performance. The result is best-in-class sound that will never disappoint.


Output Buses and Processing
You get a wealth of output buses with powerful signal processing and flexible routing options. In addition to the main L/R stereo bus, the Sonicview 16XP provides 22 output flex buses, each of which is configurable as a subgroup, aux, or matrix. Provide multiple stereo in-ear monitor submixes without running short of buses and send to the analog outputs; create matrix mixes for multiple loudspeaker zones and send over the Dante network for restaurants and worship performances, and more. All output buses are equipped with 31-band graphic EQ, real-time analyzer functions, 4-band parametric EQ, compressor/ducker, delay, plus Solo, Pan, and Mute. Four additional effects processors can be assigned to any individual mixer channels, including an astounding reverb effect.

Dante Enabled for Superior Networking
Dante audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, houses of worship, and much more. Sonicview consoles can serve as the audio center of these systems, thanks to a built-in 64-in / 64-out Dante interface that supports AES67 mode, Dante Domain Manager, and SMPTE 2110 mode. Two Dante ports enable redundant streams.

Physical Outputs and Expansion Capability

  • As you’d expect, the Sonicview 16XP offers plenty of physical outputs, with 16 XLR line outputs, the L/R main outputs, and two XLR monitor outputs. If that’s not enough, you can add more analog, MADI, or AES/EBU I/O with an optional expansion card.
  • To further expand the system, add one or more optional 16-in/16-out SB-16D Dante-networked stage boxes. Microphone gain for all 16 inputs can be remotely controlled from the Sonicview 16XP, and the SB-16D can be used as a floor box or rackmounted.


Built-In 32-Track SD Recorder
Sonicview 16XP offers multiple ways to record. In addition to its integrated audio interface, the Sonicview 16XP comes with an integrated IF-MTR32 multitrack recording card, enabling you to capture 32 channels directly to an SDXC card. The SD recorder supports simultaneous 32-channel punch-in / punch-out, pre-record, auto-record, and markers. Best of all, it automatically saves and closes the file every 60 seconds during recording to safeguard against data loss, so you can let the recorder do its job worry-free while you focus on mixing.


Built-In USB Audio Interface and Stereo Recording

  • Sonicview’s integrated 32-in / 32-out USB audio interface makes it a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses, and the L/R main bus to your favorite DAW at up to 96 kHz with the same 32-bit precision used throughout the Sonicview.
  • You can simultaneously capture the main mix directly to the onboard stereo SD recorder—handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.

Remote Control and Offline Editing
Whether onstage, backstage, in a control room, or at the rear of a concert hall, you're always in full control of your Sonicview 16XP mixer. Just connect a Wi-Fi router to the Sonicview's Ethernet port and use free TASCAM Sonicview Control software for macOS, Windows, and iPadOS to manage your Sonicview 16XP from virtually anywhere in the venue. Edit settings offline in advance, so you're ready to go when a session or show begins, then make adjustments from the console or from the software.

Work Quickly with Function Keys
Sonicview offers intuitive, analog-like operation, while providing a variety of convenient digital functions that can be customized as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback, and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall, but you can reassign them as desired. A footswitch (not included) can be used to tap in delay-time settings.

Clear, Mistake-Free Navigation
When you're mixing a show, broadcast, or crucial recording session, you can't afford to hit the wrong button or grab the wrong control. Sonicview's mixing surface makes it easy to see at a glance what you're controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-color LED. The User keys feature full-color LEDs, so you can group each input source and function by color and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customizable touch panels, you always know where you are and what you're controlling.

External Control, Clocking, and More
In addition to audio I/O, Dante, and USB ports, Sonicview is equipped with 8-in / 8-out GPIO terminals (on a DB25 connector) for external control, making it suitable for events and relay applications. BNC word clock In and Out/Thru enable digital audio synchronization, and an Ethernet port can connect to a Wi-Fi router for wireless control. Sonicview also has two TASCAM expansion slots; the IF-MTR32 multitrack SD recording card comes integrated into one slot, while the other slot accepts a selection of expansion cards.

The Music Never Stops
Your business depends on reliable equipment that will stay in service with minimal interruptions, and TASCAM designed the Sonicview accordingly. Sonicview's mixing engine and real-time operating system are completely separated from the physical mixing surface, greatly improving stability. In the unlikely event that the mixing surface becomes inoperable, the sound won't stop, and operation can be restored by restarting the control surface operating system. Meanwhile, the show will go on.

Key Features

  • TASCAM VIEW (Visual Interactive Ergonomic Workflow) interface supports intuitive operation with three different view system

  • Multiple displays with two 7-inch touch panels

  • 44 input channels (or 40 mono input channels and 2 stereo input channels)

  • 22 flexible output buses and main L/R bus with 31-band graphic EQ

  • 96 kHz, 54-bit float-point FPGA mixing engine

  • Ultralow latency: 2 x samples (20.8 μs) in mixing engine, 0.51 ms analog to analog

  • 32-bit / 96 kHz AD/DA conversion

  • TASCAM Class 1 HDIA microphone preamplifiers

  • 32-in / 32-out, 32-bit / 96 kHz USB audio interface

  • Built-in 32-track SDXC recorder

  • 64-in / 64-out built-in Dante interface; supports redundancy and DDM, AES67, and SMPTE ST 2110 interoperability

  • 16 mic/line inputs (up to +32 dBu), 16 XLR line outputs with flexible routing

  • 4 multi-effects processors

  • TASCAM Sonicview Control software for macOS/Windows/iPadOS enables remote control and off-line editing

  • 2 TASCAM expansion slots

  • SDXC multitrack recording card preinstalled in one slot (XP US version only)

  • Optional MADI, Dante, AES/EBU, and analog outputs cards available for the second slot

  • Hardware mixing surface and mixing engine operating system are independent of each other for high stability and continuous audio flow

  • Library: Snapshot/Effect/Module/Parametric EQ/Graphic EQ/Gate/Compressor

  • 18 assignable user keys, 7 custom fader layers, 8 DCA groups

  • 16+1 100mm motorized faders 

  • 16 encoder knobs with color LED

  • 16 LCDs with color LED display channel name, input level, and gain reduction meter

  • 2 channel internal recording/playback with SD card or USB flash drive

  • 8 TRS line inputs, 2 RCA stereo input pairs, XLR talkback input

  • XLR monitor outputs

  • 1/4" and 3.5mm headphone outputs

  • Wordclock In and Out/Thru

  • 1000BASE-T gigabit Ethernet

  • 8-in / 8-out GPIO on DB25

  • TRS footswitch jack

  • XLR 4-31 lamp connector

  • Power switch with guard

  • Optional SB-16D 16-in /  16-out Dante-enabled stage box

Specifications 

Mixer Specifications 
Processing Capability 
Input52 [Monaural: 40, Stereo: 2 (Stereo),Fx Return: 4 (Stereo)]
Bus32 [AUX/GROUP Switchable MIX bus: 22, MAIN L/R bus: 1 (Stereo), Fx Send bus: 4 (Stereo)]
Built-in Fx4
Input Ports 
96 kHzMax 152 ports
48 kHzMax 248 ports
MIC/LINE16
Stereo (RCA)4 (2xStereo)
Dante32 (96 kHz), 64 (48 kHz)
SLOT32x2 (96 kHz), 64x2 (48 kHz)
USB Audio32
Built-in Player2 (1xStereo)
OSC1
TALKBACK1
Output Ports 
96 kHzMax 148 ports
48 kHzMax 244 ports
LINE16
Dante32 (96 kHz), 64 (48 kHz)
SLOT32x2 (96 kHz), 64x2 (48 kHz)
USB Audio32
MONITOR OUT (Analog)2 (1xStereo)
Built-in Recorder2 (1xStereo)
I/O Ports 
Analog Insert I/O2 I/O (MIC/LINE Input 7/8)
Digital Signal Processing 
Mixer Engine96 kHz/54 bit floating point
ADC96 kHz, 32 bit
DAC96 kHz, 24 bit
Digital I/O sampling rate96 kHz, 48 kHz
Analog Audio Inputs/Outputs 
MIC/LINE inputs (1-16 channels) 
ConnectorXLR-3-31 equivalent (1:GND,2:HOT,3:COLD)
Max input level+12dBu (PAD=OFF, TRIM MIN), +32dBu (PAD=ON, TRIM MIN)
Min input level-62dBu (PAD=OFF, TRIM MAX), -42dBu (PAD=ON, TRIM MAX)
Input impedance5.0kΩ or more
Phantom power+48V available
LINE inputs (9-16 channels) 
ConnectorConnector: Φ6.3mm(1/4")TRS phone jack, Balanced (TIP: HOT, RING: COLD, SLEEVE: GND)
Max input level+12dBu (PAD=OFF, TRIM MIN), +32dBu (PAD=ON, TRIM MIN)
Min input level-62dBu (PAD=OFF, TRIM MAX), -42dBu (PAD=ON, TRIM MAX)
Input impedance5.0kΩ or more
INSERT (7-8 channels) 
ConnectorΦ6.3mm(1/4")TRS phone jack (TIP: SEND, RING: RETURN, SLEEVE: GND)
RETURN (RING) 
Max input level+18dBu
Nominal Input level-2dBu
Input impedance5.0kΩ or more
SEND (TIP) 
Max input level+18dBu
Nominal Input level-2dBu
Input impedance100kΩ or less
TALKBACK inputs 
ConnectorXLR-3-31 equivalent (1: GND,2: HOT,3: COLD)
Max input level+10dBu
Min input level-65dBu
Gain range0 - 55dB
Input impedance5.0kΩ or more
Phantom power+48V available
Stereo (RCA) inputs (1-2) 
ConnectorRCA pin jack
Max input level+6dBV (1.995Vrms)
Nominal Input level-10dBV (0.316Vrms)
Head room16dB
Input impedance10kΩ or more
LINE Outputs (1-16 channels) 
ConnectorXLR-3-32 equivalent (1: GND, 2: HOT, 3: COLD)
Nominal output level+6dBu (D.ref: -9dBFS)
+4dBu (D.ref: -14dBFS, -16dBFS)
+4dBu or 0dBu (D.ref: -18dBFS, -20dBFS)
Max output level+15dBu (D.ref.: -9dBFS, A.ref.: +6dBu)
+18dBu (D.ref.: -14dBFS, A.ref.: +4dBu)
+20dBu (D.ref.: -16dBFS, A.ref.: +4dBu)
+18dBu (D.ref.: -18dBFS, A.ref.: 0dBu)
+20dBu (D.ref.: -20dBFS, A.ref.: 0dBu)
+22dBu (D.ref.: -18dBFS, A.ref.: +4dBu)
+24dBu (D.ref.: -20dBFS, A.ref.: +4dBu)
Output impedance100Ω or less
MONITOR Outputs (L,R) 
ConnectorXLR-3-32 equivalent (1: GND, 2: HOT, 3: COLD)
Max output level+24dBu
Nominal output level+4dBu
Output impedance100Ω or less
Headphone Output 
ConnectorΦ6.3mm(1/4") stereo phone jack and 3.5mm stereo mini phone jack
Max output power100mW + 100mW (32Ω load, when connected to only one side)
Digital Audio Inputs/Outputs 
USB Audio 
ConnectorType-B
Input32ch *USB to Sonicview
Output32ch *Sonicview to USB
Sampling rate48 kHz, 96 kHz
Bit depth32 bit
Dante (Primary/Secondary) 
ConnectoretherCON Cat5e compatible
Number of channels64 channels (48 kHz), 32 channels (96 kHz)
Ethernet1000BASE-T (IEEE802.3ab)
CableCAT5e STP
 Supports Redundant mode and Switched mode
Control Inputs/Outputs 
GPIODSUB25pin female, inch type
Input circuitpull up (5V)
Output circuitOpen corrector
Output impedance10Ω
Voltage Resistance20V
Max Current35mA
Max supply current (+5V)50mA
FOOT SWITCH 
ConnectorΦ6.3mm(1/4")TS phone jack (TIP:SIG, SLEEVE: GND)
ETHERNET (for control) 
ConnectorRJ-45
Ethernet100BASE-TX, 1000BASE-T
ProtocolTCP/IP
Other Inputs/Outputs 
WORD IN 
ConnectorBNC (Unbalanced)
Input level0.5Vpp - 5Vpp
Impedance75Ω +/-10%
Input frequency48 kHz, 96 kHz
Allowable frequency deviation+/-100ppm
WORD THRU/OUT 
ConnectorBNC (Unbalanced)
Output levelequivalent to 5V TTL
Output frequency48kHz, 96kHz
Impedance75Ω +/-10%
USB (Top panel)For Keyboard, and Mass Storage
ConnectorType-C
StandardUSB2.0 HIGH SPEED (480Mbps)
Bus power5V-0.5A
ClassHID, Mass storage
USB (Rear panel)For Audio Interface (Dedicated driver required)
ConnectorType-B
StandardUSB2.0 HIGH SPEED (480Mbps)
Lamp 
ConnectorXLR 4pin female (1:N.A., 2:N.A., 3:GND, 4:+12V)
Supply voltage0V-12V (Adjustable brightness)
Max power5W
Recorder/Player 
Media 
SD CardSDHC (8GB-32GB Class10 or more), SDXC (64GB-128GB Class10 or more)
USB memorySize: 8GB-128GB (Play Only)
Supported File SystemFAT32 (SDHC, USB memory)
exFAT (SDXC, USB memory)
Stereo recording/Playback Formats 
WAV/BWF 
Recording48 kHz/96 kHz, 24 bit, 2ch
Playback48 kHz/96 kHz, 16/24bit、2ch
MP3 
Playback44.1 kHz/48 kHz, 32kbps~320kbps
AAC 
Playback44.1 kHz/48 kHz, 64kbps~320kbps
Multi-track Recorder 
Media 
SD CardSDHC, SDXC (512GB or less, UHS-I or over)
Recording/Playback FormatsWAV/BWF (recording is always BWF, monophonic)
Sampling rate48 kHz, 96 kHz
Bit depth (Recording)24bit, 32bit
Bit depth (Playback)16bit, 24bit, 32bit
Recording Capability 
Number of tracks32(48 kHz), 16(96 kHz)
Max simultaneous recording tracks32(48 kHz), 16(96 kHz)
Max simultaneous recording tracks (punch in)32(48 kHz), 16(96 kHz)
General 
Main display7 inch, Colored touch panel display x2
Resolution800x480
Channel displayMonochrome x2
Resolution384x68
Fader100mm stroke, Motor driven
Overall dimensions472.0(W) x 228.1(H) x 554.4(D) mm
18.59 (W) x 8.99(H) x 21.83 (D) inch
Weight13kg / 28.67lb
AC INAC100V-240V 50/60Hz
Power consumption65W
Operating Temperatures0 - 40 ℃
Computer system requirements 
USB Audio Interface 
Windows 
Supported Operating SystemWindows 11 64 bit
Windows 10 64 bit
Computer hardware requirementsWindows computer with a USB2.0(or higher) port.
Mac 
Supported Operating SystemmacOS Monterey (12)
macOS Big Sur (11)
macOS Catalina (10.15)
Computer hardware requirementsMac with a USB2.0(or higher) port.
Control Software 
WindowsWindows 11 64 bit
Windows 10 64 bit
MacmacOS Monterey (12)
macOS Big Sur (11)
macOS Catalina (10.15)
iPadOSiPadOS 15
iPadOS 14
Included Items
TASCAM Sonicview 16XP with integrated IF MTR32 recorder card x1
Power code (JAPAN USA/EUROPE/OCEANIA) x3
Owner's manual with warranty x1
TASCAM ID registration guide x1
Options
AK-DCSV16: Dust cover
AK-TB15: Tablet shelf
AK-RKSV16: Rack mount kit
IF-AE16: AES interface card, I/O 16ch
IF-DA64: Dante interface card, I/O 64ch, Redundant Supported
IF-MA64/EX: MADI interface card, I/O 64ch Coaxial/Optical
IF-MA64/BN: MADI interface card, I/O 64ch Coaxial
IF-AN16OUT: Analog outputs interface card, 16ch
IF-MTR32 (Scheduled to be released in 2023): MTR card, 32 tracks, punch-in
SB-16D (Scheduled to be released in 2023): Stage box, Dante, 16ch I/O

Signal Delay

48kHz[ ms ]Routing
A to A0.510MIC/LINE IN → CH Module → MAIN L/R BUS → MAIN L/R Module→ LINE OUT
A to A0.620MIC/LINE IN → CH Module → MAIN L/R BUS → MAIN L/R Module → MONITOR OUT
D to D0.498SLOT MADI IN → CH Module → MAIN L/R BUS → MAIN L/R Module → SLOT MADI OUT
A to D0.458MIC/LINE IN → CH Module → MAIN L/R BUS → MAIN L/R Module → SLOT MADI OUT
D to A0.571SLOT MADI IN → CH Module → MAIN L/R BUS → MAIN L/R Module → LINE OUT
D to A0.666SLOT MADI IN → CH Module → MAIN L/R BUS → MAIN L/R Module → MONITOR OUT
96kHz[ ms ]Routing
A to A0.510MIC/LINE IN → CH Module → MAIN L/R BUS → MAIN L/R Module → LINE OUT
A to A0.620MIC/LINE IN → CH Module → MAIN L/R BUS → MAIN L/R Module → MONITOR OUT
D to D0.104SLOT MADI IN → CH Module → MAIN L/R BUS → MAIN L/R Module → SLOT MADI OUT
A to D0.261MIC/LINE IN → CH Module → MAIN L/R BUS → MAIN L/R Module → SLOT MADI OUT
D to A0.374SLOT MADI IN → CH Module → MAIN L/R BUS → MAIN L/R Module → LINE OUT
D to A0.468SLOT MADI IN → CH Module → MAIN L/R BUS→MAIN L/R Module → MONITOR OUT

Audio Performance

MIC PRE AMP EIN (Equivalent Input Noise)-128dBu or less
Frequency responseMIC/LINE IN → LINE OUT
20Hz - 20kHz:+0dB, -0.5dB (48kHz)(JEITA)
20Hz - 40kHz:+0dB, -1.0dB (96kHz)(JEITA)
Dynamic range108dB or more (MIC/LINE IN → LINE OUT, PAD=OFF, TRIM MIN, D.ref=-20dBFS, Clock Master=INT, JEITA)
110dB or more (MIC/LINE IN → Dante OUT, PAD=OFF, TRIM MIN, JEITA)
112dB or more (Dante IN → LINE OUT, Clock Master=INT, JEITA)
Distortion0.002% or less (MIC/LINE IN → LINE OUT, When inputting +4dBu, PAD=OFF, TRIM MIN, JEITA)
0.002% or less (MIC/LINE IN → Dante OUT, When inputting +4dBu, PAD=OFF, TRIM MIN, JEITA)
0.002% or less (Dante IN → LINE OUT, When inputting 0dBFs, JEITA)
Crosstalk100dB or more (MIC/LINE IN → LINE OUT, 1kHz Sine wave, JEITA)

*0dBu=0.775Vrms
*D.ref.: Digital reference level, A.ref.: Analog reference level
Specifications and appearance are subject to change without notice for improvement.

 

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